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Consolidating major figures and film movements into their decade of greatest influence or prestige, this “no-nonsense” book offers a generously illustrated, concise, and very readable history of fiction movies with an emphasis on American cinema. Eclectic in methodology and written in a plain English style that audiences can relate to, it examines the full scope of traditional film history and criticism, viewing film as both an art and an industry– as it mirrors popular audience values, social ideologies, and historical epochs. Film discussions include titles such as Forrest Gump, Jurassic Park, There's Something About Mary, Face Off, the Lion King, Saving Private Ryan, Good Will Hunting, Pulp Fiction, Choosing Amy, The Piano, Menace II Society, Sweet Hereafter, The English Patient, Sense and Sensibility, Shakespeare in live, The Full Monty, The Crying Game, Life is Beautiful, and like Water for Chocolate. For anyone who enjoys going to, and thinking about, the movies.
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2000-12-27Upon finishing the book, I garnered a certain respect and appreciation for film and filmmakers, something that had not occurred to me with others texts. For example, it details the struggle of the German cinema during the time of the Third Reich. The reasons such acclaimed artists such as Fritz Lang and Leni Riefenstahl were being exploited for their abilities, and conversely how other talents were being suppressed for their rebellion. As I read more, I learned how political figures and movements often parallel cinematic output, and the awesome power that the silver screen can have on influencing the masses.
I highly recommend Flashback to anyone who has even the slightest interest in film. The copious amounts of photographs breaks up the text nicely, and there is certainly something for everyone.