The Study of Fugue :: Education by Design Store

Editorial Review
Classic study comprises two parts. The first is a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (c. 1350) to the present. Part Two explores in depth four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, W. F. Marpurg (1753-54), Fundamental and Practical Essay on Fugal Counterpoint, Padre Martini (1775), A Manual of the Fundamental Principles of Composition, J. A. Albrechtsberger (1790). Translations of texts, introductions and critical commentary, and many musical examples. Index. Bibliography.

Cached date: AWS Called=true

Customer Reviews

It is worth 10 times the price

2006-07-31
Get this book, it is so great, beyond words, Alfred Mann is like the Saint of Musical theory!
What it contains is a complete study of the subject fugue - through the works of 4 theorists,
Fux, modal-style,
Marpurg, student of bach,
Albrechtsberger, teacher of Beethoven
Padre Martini, most famous theorist at the time of Mozart, and at one point the teacher of Mozart(the book contains a Mozart fugue, and the "corrections" done by Martini)

Before hand it may proove essential to know the basic theory - start with "Gradus ad Parnasum"(same author)
and get a good book of Functional Harmony as well.
After that, this book will be all you need to start fugal writing.

Good luck!

Great for students and enthusiasts.

2003-01-16
This work, which essentially includes a large portion of work by Fux, is great for the person studying counterpoint (fugues more specifically) or the person with a deep interest in the subject. I am a student with a deep interest in the subject and I enjoy this study quite well. If your ears perk up when someone says fugue or counterpoint then check this book out!!

Unique!

2002-01-11
It's not very simple to find books about musical forms and composition. This is an excelent title. The text is very rich and complete and it's possible for the reader to do your own fugues. Of course is not for begginers, it's necessary that you have a good knowledge in music, including counterpoint. Counterpoint is aborded, of course, but if you'd never seen the subject, the read may be a little boring.

The good news are: If you like music, if you have studied for a long time and would like to begin with your own compositions, this is a mandatory book.

required reading for composers, theorists, and historians 1999-09-20
The translator distributes his English version of Fux's "Gradus ad Parnassum" between this and "The Study of Counterpoint". I recommend that every composer and theorist pick up copies of Mann's "The Study of Counterpoint" and "The Study of Fugue" and work through the Fux, and that every music historian be familiar with these two works.

Also recommended: "Pentatonic Scales for the Jazz Rock Keyboardist" by Jeff Burns.

required reading for composers, theorists, and historians 1999-08-05
The translator distributes his English version of Fux's ''Gradus ad Parnassum'' between this and ''The Study of Counterpoint''. I recommend that every composer and theorist pick up copies of Mann's ''The Study of Counterpoint'' and ''The Study of Fugue'' and work through the Fux, and that every music historian be familiar with these two works.

Also recommended: PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.