Songwriting for Dummies :: Education by Design Store

Editorial Review
Want to know how to make it as a songwriter? Songwriting For Dummies gives you a chance to learn from the best. Performer, songwriter Jim Peterik is a 35-year veteran in the business and author of dozens of top-40 hits, including “Hold On Loosely,” “Caught Up In You” “Rocking Into the Night,” “High On You,” “I Can’t Hold Back,” “Is This Love,” “Burning Heart,” and “The Search is Over.” Dave Austin is CEO of Transcension Music Group. He’s produced and promoted some of the greatest talent in the industry, including Carlos Santana, Eddie Money, REO Speedwagon, and Queen. And Mary Ellen Bickford has been involved in music and film production for more than two decades.

Whether you’re a first-time songwriter or songwriting vet looking for a fast-track into the recording industry, this friendly, easy-to-follow guide is the source for you. Using well-known tunes as examples, the authors walk you through everything you need to know to:

Choose a musical style
Develop a song idea
Compose high-impact lyrics
Create melodies that are memorable
Use rhyme and rhythm
Understand song from, from blues to jingles
Create a demo and shop it around
Find an agent and publisher
Find and work with collaborators

From assessing your strengths and weaknesses as a songwriter to signing contracts, Songwriting For Dummies covers all the bases. Among other key topics, you’ll explore:

Various song forms, including the AABA form and various ABAB forms
Snagging your listeners with a lyrical, melodic, musical, rhythmic, or sound-effect hook, or a combination of hooks
Concept-driven, story-telling, parody, love and other types of lyrics
Using rhythm, melody, and chords in writing songs
Rock, pop, R&B, hip-hop, and many other song styles
Writing songs for stage, screen and TV
The business end—from putting together a business team to getting a lawyer and an accountant to finding a publisher

Whether you want to know how to compose a love song for that special someone, or you’re looking break into the industry, big-time, Songwriting For Dummies is a gold mine of inspiration and how-to information.
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Customer Reviews

Great beginners guide, examples aside

2004-05-15
For what it is and what it's meant to achieve, I would give this 5 stars. It covers all the bases in just enough depth to get one's feet wet so as to not tune the average reader out. One might argue some things could be embellished upon and others really aren't about the art of songwriting itself - for instance the chapters dealing with the business end of things vs. a somewhat brief chapter on chord structure. I feel a 'Dummies' book isn't so much educational as it is to point you in the right direction - you may find the realities of the music business change your attitude toward songwriting. It's nice to have the basics all laid out on the table before you start investing yourself.

Where I fault this book is in the song examples covered. For the under 30 demographic, which I imagine this book is targeted at, the examples here are rather obscure. A good three quarters of them are from the 70s and earlier. That in itself I don't have a problem with, but where's the Zep, Hendrix, Who, Doors, Floyd, Beach Boys references? Aside from the Beatles and Berry and Elvis, there's not much mention of songs that would be indelible in a young person's mind, IOW, bands that made a huge social impact. Same with the newer stuff but it's even more spotty here, little mention of the likes of that class from a decade ago of Nirvana, Smashing Pumpkins, etc. - Train and Nickelback groundbreaking? Huh?!? My ears must have turned inside out. And one of the authors (a guy who co-wrote Eye of the Tiger), mentions his songs in examples ad-nauseum. It's one thing to casually mention some here or there to get his perspective as the writer, but IMO this comes off like a sleazy ploy to pump up royalties. I say this not as a fan of the all the bands or eras of music above but simply to illustrate the irony in what is preached by this book, that in which the successful writer should make his best effort to connect with her audience. I guarantee picking apart Survior and 38 Special songs is not the best avenue to achieve this.

All in all, this book is great info, just full of little things that might make you go 'hmmm'.

Great Review 2004-04-10
Awesome book! It helped me win the Song of the Year contest at http://www.songoftheyear.com

simply the best 2003-12-15
This book is simply the best book on songwriting...and i think i've read them all - believe me! It had a way of simplifying and demystifying the whole process of creating songs. Great for 'ol pros and also great for newcomers too. This book is top on my list.

Songwriting For Dummies. 2003-06-22
I learned some good things from this book, but I could have learned more if the book had been proof-read. The authors let a lot of obvious mistakes make it into the final version of the book which makes it hard to follow some of their examples. For instance they may go to great troubles in the text to explain what an ABABC rhyme scheme is; and then for an example of an ABABC rhyme scheme, they show you a lyric that is really in AABBC rhyme scheme. The examples are where most of the errors occur. The actual written text is pretty accurate; but when they magnify and pictorially break down song lyrics, a lot of times, their example fits another form than what they've been describing to you in the text which can confuse a new learner. No one seemed to realize this before the book was published either.

For the New Kid on the Block to Seasoned Music Professional 2003-02-03
As an independent artist doing the music convention circuit and tackling a grass roots approach to the business as a new comer, I found "Songwriting for Dummies" refreshingly full of useful information. Additionally, much of the material gave inspiration and comfort to those with a penchant for the art of making music.

I have repeatedly heard the same 3 or 4 book titles mentioned as a "must have book" for anyone in the buiness. In my opinion "Songwriting for Dummies" blows the others away by simplifing many of the industry's mysterious and confusing terms while not striking fear into the heart of the rookie artist that is trying to grasp the many issues that are involved within the music business.

I read much of "Songwriting for Dummies" on my airplane ride home from a music conference I attended on the west coast. By the time the plane touched down I had a read much of the book and had written a new song for my next compilation that had come to me during that same flight. The song was written spontaneously on the 2 white, paper bags that were conveniently stored in the seat pocket in front of me, compliments of the airlines. This was a suggestion I followed from the authors on how to manage times when inspiration hits and one is without paper.

Later that month, I received an offer from a highly reputable company that required me to have some knowledge of what to ask in negotiating a contract as well as typical compensation. Luckily, I had my "Songwriting for Dummies" handy and was able to compare the information in the book to my offer to determine if it was fair and whether the typical legalities were addressed in the contract. Not only did I get a fair deal, I came across in a confident manner that enhance the contract relationship on both sides.

I suspect that future music conventions will be adding this fresh-to-the-market book to the top of the list of must-haves.....both for new comers and veterans in the biz.

Valerie Nager
EquinoxxMusic Producer

Song Writing for Dummies 2006-11-09
It's okay for lyric writing, but it is not really what I had hoped for. It's okay, but not the best reference for music students.

A Book Written by Dummies 2006-11-02
This book should have been entitled how to sell your song writing professionally. This book has little to do with creating or writing music. The title is very misleading and I feel like I just flushed a wad of hard earned money down the toilet. About the only thing useful in this book is some of the information on how to get your music noticed and circulated, which doesn't interest me since I have no ambition to become a professional musician.

Nice book. 2006-08-09
If you write any type of music, get this, sit down with pen & pad, and enjoy yourself. There are helpful tips and lessons to keep you absorbed and hungry for more.

Very useful book 2005-09-26
Interesting, useful, well done. If you are iterested in songwriting this is an indispensable tool; doesn't matter if you know nothing about music theory. Don't miss it.

Smart Book for the Songwriting 'Dummie' 2004-12-09
I bought this book when a musician friend recommended it to me. As someone who writes lyrics and who doesn't have even the most basic knowledge of musical terminology, I was looking for something that wasn't too technical and something that wouldn't completely confuse me when I tried to read it. This book definitely fit the bill.

Songwriting for Dummies isn't perfect. It could have done without all the self-promotion of Survivor and 38 Special and it could have done with more late '60s, early '70s music. I was disappointed to find that Stevie Nicks was mentioned in connection with "Bootylicious." Plus, the more technical explanations of writing music caused me to skim over a couple of the chapters. But the overall package gave me what I was looking for.

Despite going through a long period when I would start reading a book, put it down and then forget about it, I concentrated on reading this book and finished it in a matter of days. I enjoyed picking it up and reading it and going back over certain chapters again when necessary.

If you want to find a book that covers chord progressions in great detail, this book isn't for you, but if you want something that touches on the basics of lyrics and melodies, plus gives you an example of the kind of artist rights issues many songwriters face, this is a good reference.