Customer Reviews
AMAZIING!!! 
2005-12-06
This movie is absolutely incredible,(espeecially for a "spike Lee joint"!). WATCH THIS MOVIE!!! If you like commercial hollywood cinema you probably won't like this film, but this is truly quality filmaking. The movie just flows. The best thing about the movie is the acting! Absolutely incredible! MEKHI PHIFER's performance is the best I have ever seen (along with Derek Luke in Antwone Fisher)- Performance of a lifetime, his facial expressions are priceless! If you don't end up liking this movie then you don't appreciate good acting. The cinematography is also beautiful. The film is not overly moralistic, nor preachy or patronising like most of Spike Lee's work tends to be. THIS IS A WORK OF ART!
"You are sellin' your own people death!" 2005-02-18
"Clockers"(1995) really blind-sided me.
Spike Lee can't necessarily claim to be the most subtle filmmaker, in fact he seems dead-set on attaining and retaining the title of "auteur," taking that extra step to inform the viewer that it is *indeed* a Spike Lee "joint." Fans of his films know exactly what I mean. And, of course, his showmanship is evident. But collaborating with famed novelist Richard Price for a gritty indictment of black-on-black crime, the inner-city crack plague, and the oddly symbiotic relationship among drug-dealers and police in the Brooklyn Projects, has resulted in (if not his best, then) certainly his most mature film to date.
Listen, I like Spike, I've kept up with every movie of his so far, excluding "She Hate Me". But even a seasoned veteran such as he can get better with literary influence. So much so, that the story in "Clockers" completely overrides Spike's typically gimmicky visual tricks and (this is why I'm most proud of this film) his unabashed preachiness he seems to need to constantly insert in his projects. The biting dialogue is there: "Black man say he didn't do sun-in, you don't believe him. Black man say he DID do sun-in, you still don't believe him." However, Lee manages these thematics seamlessly into the plot's progression with a curious mixture of intuition and force.
Lee shifts the focus of Price's novel from Rocco to Strike, a young African-American "clocker" (round-the-clock crack dealer) looking to rise in the drug-trade ranks, run by his makeshift mentor Rodney Little (a blistering, cunning performance by Delroy Lindo). Rodney -- persuasive as all hell -- asks/tells Strike to off a worker in a fast-food restaurant for limiting Rodney's dealing options. Hours later, the guy is dead but the crime is not shown. When Strike's older brother Victor (Isaiah Washington) confesses to police, hardened Detective Rocco Klein (suitably dependable Harvey Keitel) doesn't buy it and begins to suspect Strike instead.
As the investigation deepens, unexpected character traits emerge. Strike -- initially seeming hard, ignorant, and aimless -- actually wears that very facade to mask the fact he's really a scared kid unsure of a future. This fear and stress that accompanies his job has manifested physically as a bad stomach ulcer that makes him double over and expel blood through the latter half of the film. Victor -- the apparently virtuous, job-holding, mannerly, father-of-two -- eventually reveals a dangerous level of resentment and hatred buried deep but slowly working its way to the surface.
The "homo-cide" squad are first portrayed as racist, uncaring kingpins -- not too unlike Rodney -- that laugh and joke over bodies at the crime scene. Then Rocco and his team (John Turturro and Michael Imperioli) make unexpected business deals with Strike involving crackdowns and kickbacks. Most revealing (and rather humorous) is that the large number of customers for crack in the housing project are middle-class or affluent white people.
What separates this "hood movie" from the majority are the contradictory surprises. Unexpected, yet certainly believable. Without giving spoilers, Strike's saving grace ends up being the police he always tries to avoid. He even asks Rocco (in what I believed would be the film's disastrous downfall) what made him care about some random "nigga killing," and I was ready for Spike to throw the whole flick away on Keitel's response... The response given is one of the most honest, heartbreaking, and realistic lines of screenwriting I've come across yet. Bravo, Price and Lee.
Accolades to the soundtrack. This is one of the smartest batch of tracks Lee has assembled for a film of his, and they enunciate the dreaded and narrow confines of inner-city life without drowning you in third-rate gangsta rap. In fact, all the hip-hop tracks (especially KRS-ONE's "Outta Here") are spot on the emotion in whichever scene they are played. Even the softer original tracks (Chaka Khan, Des'ree, Seal) have a gentle nobility that doesn't pander to the R&B crowd. Terence Blanchard's orchestral/jazz score achieves several great moments of genuine woe and remorse.
I find "Clockers" to be an inquisitive, audacious and Soulful piece of filmmaking. The way in which it overlaps disheartening despair, humor-within-ignorance, poignant community drama, characters that expertly shred stereotype, and a genuine glimpse of hope is a masterful feat in any regard. It's a courageous move to make when your questions don't come with answers. What is offered is the possibility of an answer, an elaborately simple one. I expected an inner-city detective thriller but walked away with a gripping emotional maelstrom that honestly reaches the level of overwhelming. Very long story short, "Clockers" is the film that I was waiting for Spike Lee to make, because I knew he had it in him. I praise and commend this achievement, Mars. Anyone interested in a drastically good film ought to hit this joint.
The DVD is barebones: trailer, production notes, bios. But the price is worth it to see DP Malik Sayeed's stark and immediate photography in the theatrical 1.85:1 ratio, and crystal clear. Decent 5.1 sound mix, as well: the music is allowed to shine.
NO MORE PACKING
CLASSIC GANGSTA MOVIE; 4.5 STARS 
2004-08-17
A DRUG DEALER IS MURDERED IN A RESTERAUNT ONE NIGHT AND THE DETECTIVE ON THE CASE [PLAYED BY THE GREAT HARVEY KEITEL] DOESN'T BELIEVE THE MAN WHO CONFESSED TO IT IS REALLY GUILTY. HE THINKS HIS BROTHER [MEKHI PHIFER, IN HIS FILM DEBUT] IS THE ONE THAT'S REALLY GUILTY. THIS WAS A VERY WELL ACTED MOVIE AND UNLIKE MANY OTHER GANGSTA MOVIES, THIS IS SHORT ON VIOLENCE! THIS IS THE KIND OF GANGSTA MOVIE THAT MAKES YOU REALLY THINK ABOUT WHAT'S GOING ON AND WHAT'S GONNA HAPPEN NEXT. A VERY GOOD MOVIE FROM SPIKE LEE.
Classic Gangsta Cinema from the hardest of hardcore Spike 2004-07-20
Yo, you gotta buy this yo. This is where it all comes from. This is the movie that in the future will be viewed as the end all be all of gangsta movies. It chronicles the trials and tribulations of a smart teenage drug dealer as he grows up in Brooklyn and tries to gain a lucrative spot in the drug game off the benches. It shows with flashbacks and good storytelling how black on black crime is created and perpetuated in the hood: too many men dealing crack son. This teenage hardcore is called Strike and he must choose his path in life and one thing the movie makes abundantly clear: Strike can stop dealing anytime he wants. Strike has money and trains. Strike has people in the community including two understanding cops and a mother and a brother and a sister in law who would like to see him change his ways and the script shows that he can chance anytime. He can go into witness protection. He can just up and move and take his money elsewhere. He's smart. he can do alot of things, but he chooses to stay and be a dealer. Why? because the most father-like influence on him is a hard-boiled dealer played by Delroy Lindo who permeates the film with rationale evil and avarice that make bad leutenant look like good family fun. So in short, Spike is showing through Strike how all the black youth just need a good father figure to set them straight, stop dealing and raise a family like Strikes brother who is honorable and sympathetic to the extreme. The soundtrack is brilliantly wrought to effect sympathy and compassion from the audience while the shocking visual elements cause us to question our own society.
Fair to middlin' 
2004-06-24
I'd probably like this movie a lot better if I didn't feel it was such a disservice to the novel it's based on.
Delroy Lindo does give a standout performance as Rodney, but I just wasn't that impressed with Keitel. I guess it's a testament to Price when I say that the Rocco Klein of his novel felt more lifelike, more deeply conflicted, and more rounded than Keitel's Klein seemed on screen.
I found it irritating that there were certain surreal elements added to the script which seemed to compromise the grittiness of the story. The additions didn't make the movie funnier, they just made it strange.
As a side note, less than ten years old, the soundtrack already seems incredibly dated.
Don't even rent this one, go read it. If you're dead set on spending your loot, buy two copies of "Do the Right Thing."
Good Crime Drama With a Twist! 2008-04-16
Spike Lee is a classic African-American New York based film maker. This is one of the best movies he's made and quite gripping. A young drug dealer is having trouble after his good brother is arrested for a crime the drug dealer is believed to have committed. A cop who is concerned about an innocent man going to jail keeps up the pressure on the drug dealer to confess, but there is also pressure from his drug lord to keep what he knows to himself. It isn't clear if the drug dealing brother did commit the murder or it was someone else. What to do?
Delroy Lindo and Harvey Keitel Shine 
2008-01-18
I like this movie. Delroy Lindo is one of the underrated talents in movies today. Harvey Keitel is really good in this too. I think this is a good story and worth a look. The only complaint is that it stinks of Spike Lee and his style. It is a little too long and has all of what has become his standard gimmicks. But still a good movie.
fine, taut drama with social commentary 2007-08-25
Clockers gave Martin Scorsese and Spike Lee the chance to collaborate on a project that became a brilliant motion picture. Clockers examines the gritty, brutal life on the streets that sometimes offers the only hope for millions of underprivileged African-American men and their families. Clockers paints an honest portrait of many black people in the New York City housing projects as they struggle to survive; some get involved in drugs and drug dealing with others desperately strive to avoid a life of crime and hold out real hope for a brighter future. Clockers accomplishes this with superlative acting, a wonderful script and excellent direction.
The action begins in a Brooklyn, New York housing project where many young black men are routinely drawn into the drug scene with its crime and money made from dealing drugs. Ronald 'Strike' Dunham (Mekhi Phifer) is a "clocker;" this means that he is there on the benches of the projects to deal crack 24 hours a day. His boss, Rodney Little (Delroy Lindo), becomes disgusted with Darryl Adams (Steve White) interfering with his "territory." Rodney tells Strike to kill Darryl so that Rodney has more control and power over the territory--not to mention much more money from his clockers who he has dealing crack for him. Although we don't actually see the crime, the film makes it clear that Strike does what Rodney told him to do. Victor, Strike's older brother, turns himself into the police and tries to take the blame for the crime. Trouble is, however, Detective Rocco Klein doesn't buy Victor's somewhat bungled story for a minute. Fellow Detective Larry Mazilli (John Turturro) reluctantly goes along with Rocco as Rocco persists at finding the real murderer.
Without giving out spoilers, the plot obviously snowballs into a cat and mouse game between Rocco Klein and Spike. Spike refuses to admit any knowledge of the crime; but when his boss Rodney lands in jail things become very hot for Spike. Spike is then caught in between police detectives he** bent on finding the real murderer and ruthless drug dealer Rodney.
Clockers keeps your attention with remarkable shots of the projects, excellent background music that rarely interferes with your ability to hear what's being spoken, and convincing acting that portrays the projects and the problem of drug crime exactly they way they exist in real life. Indeed, the film opens with actual photos of persons who were gunned down in drug wars along with murals on walls hoping that the departed rest in peace. Moreover, Clockers is not for children; nor is this film for the squeamish. There's a good deal of violence and blood; but the realism raises Clockers up to a five star high level of motion picture.
The DVD, after all this marvelous acting, disappoints with few extra features. You get brief biographies of the four or five major actors in the film; and you can choose subtitles if you wish. There's a theatrical trailer but that's about it.
At the end of the day, Clockers remains an excellent motion picture with great acting, a taut script and plot and a good pace that never leaves you bored or disinterested. I highly recommend this movie for people who want to see what life is really like in some housing projects where real opportunities for African-American men and other residents are very limited. Clockers also provides us with excellent social commentary about the remarkably harsh and brutal world of drug dealing.
Awesome movie... 2006-07-14
Clockers is one the best movies I've seen covering life on the streets of Northeast America. Movies like Boyz N the Hood and Menace II Society cover the streets of LA but people who kno the streets of the northeast (NYC, Trenton, Philly) do not relate to palm trees and spacious project homes. In the Northeast, people are tightly packed into high-rise projects or row homes. They co-exist with different ethnic groups, all struggling to make it out. Spike Lee does a great job collaborating with author Richard Price in coming up with a superb script. Growing up in an urban environment, I was instantly attracted to the film by its pure street dialogue. Mekhi Phifer makes the street dialogue seem as authentic as it can get.
Average Spike Lee drama 2006-04-09
Wow.. to start with I had to turn on English subtitles to watch this movie in English. Even then it was hard to puzzle out what was said in this film half the time. I'm not a big fan of Spike Lee films - they're too stereotypical and portray people in a negative light.
'Clockers' could have been a gripping detective story while also exposing the drugs and violence which black youths find it so hard to escape from. But that isn't enough for Lee who stuffs his film with so many half-developed ideas that it becomes tiresome to watch.
Lee seems at one point to be commenting on the influence of violent music videos and video games, but when he fails to develop this line of reasoning, it's clear these sidetracks are only a means to fill the film with his intrusive visual fireworks. Many scenes serve no dramatic purpose and the bloated film is a good deal longer than it needs to be.
The is just like the old gangster movies of yore, the endings just seem too unbelievable to what was shown before. And just like that you get a mediocre movie.
