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2006-02-01
2005-08-19
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2004-03-16The novice who is interested in jazz, and not yet opinionated enough to have adopted one of the contentious theories of "what jazz is", will find much information on the origins and stylistic forms of jazz music, jazz art and ultimately, jazz life. However, the more seasoned jazz fan might just as easily find himself in mental arguement with the author almost from the git go. This is regretable since it leads to rejection of much of the foundation material important in having a true understanding of the music. To those of us who believe jazz is devinely connected to the blues, much of Szwed's commentary could be viewed as heresy. But, to others who feel jazz includes almost all forms of improvisation the author's keen insite on sociological and twentieth century demographics play particularly well. He goes so far as to dip his toe in the muddy waters of Kenny G's authenticity, though slyly demurs from opining on just what this cretin is actually blowing through his horn (there, I told you jazz opinion can be contentious!).
My only criticism of this work is Szwed's listening examples which are carefully detailed and highlighted throughout the book. While they specifically meet the example criteria he is aiming for, many more accessable (read enjoyable) substitutes exist.
All in all, an excellent intro and the best $10 item in the jazz supermarket.
Excellent Intro to Excellent Music
2003-12-04
This is a great example of how to write an introductory book on a topic that might daunt some people. Szwed presents the major styles, players, and even some of the controversial issues of jazz with clarity and infectious enthusiasm. Just as importantly, he's not afraid to keep it intelligent, unlike a lot of introductory books. Like the subtitle promises, this book really can help you learn and love jazz. It sure fueled my passion for the music.
A very good introduction to Jazz.
2001-10-13
Anyone interested in learning about a distinct musicjazzwill welcome this newest addition to the popular 101 reference series. Noted anthropologist, critic, and musical scholar John F. Szwed takes readers on a tour of the musics tangled history and explores how it developed from an ethnic music to become North Americas most popular music and then part of the avant garde in less than fifty years. Jazz 101 presents the key figures, history, theory, and controversies that shaped its development, along with a discussion of some of its most important recordings.
A Must Read For Musicians
2001-08-05
As a 17 year old high school student, I knew next to nothing about jazz before reading this book. John Szwed did an amazing job introducing such a vast musical genre in a simplistic and thought provoking manor. The history, key players, and different "types" of jazz are all discussed in this book. I honestly could not put it down. A must read for any musician.
Jazz Artistry
2001-05-22
I am a jazz musician and I have just read Jazz 101. It is a great book of jazz history and jazz musicians. It explains the major types of jazz and the roots of jazz. It also includes biographies of the significant jazz musicians who have contributed to the jazz styles. This book is a great guide to listening to jazz.
The Artistry of Jazz
2001-05-22
I am a jazz musician and I have just read Jazz 101. Is a great book of the history and the musicians of Jazz. It explains the major types of jazz and the roots of jazz. It also includes short biographies of the significant jazz musicians who contributed to the styles of jazz. Its a great guide to the listening of jazz.
A perfect book for novices and veterans alike
2001-01-22
Those who really want an excellent book on the history of jazz should eschew Ken Burns' incomplete doorstop of a picture book and turn to John F. Szwed's compact and comprehensive volume. In only a little over 300 pages, Szwed succinctly and skilfully covers the entire spectrum of jazz, offering the reader everything and looking askance at nothing. Though opinionated at times (and who could not be, writing a book of this sort), Szwed is never judgmental, and his knowledge of the field and its many aspects is broad and sweeping without seeming superficial. And please note that this isn't just a book for jazz newbies -- I've been a jazz fan for many years, with a huge collection of records, CDs and books, and I still learned a lot. Szwed's illuminative sidebars on individual songs and albums had me pulling out some old favorites and hearing them with fresh ears. This volume belongs on the shelf of every jazz buff.