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Taking the reader through her picturesque house and the breathtaking scenery around it that inspired many of her famous stories, this charming book is the first to look at the intimate connection between the English countryside and Potter's work. Her own exquisite sketches and watercolors, as well as personal ephemera, appear alongside specially commissioned full-color photographs, revealing a home filled with treasured old furniture and beautiful objects and celebrating an artist-storyteller whose legacy as a conservationist at last receives the attention it deserves.
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2003-01-05That and reading and seeing photographs of her as well as her farms and reading why she bought each property and the breeds of sheep she raised was of special interest to me. I loved seeing the inside of her farms, although I had seen the inside of a few, via the National Land Trust to whom she left her properties.
I loved the photographs of Beatrix and how she was so eccentric, kind yet firm and a woman ahead of her time. And it was nice to read that she was a true homestead style woman who had the waste not want not mentality, as well as a deep appreciation for quality and hated to see old bridges torn down for modern ones, although she was quick to make sure the stones and plants, wood and other things being discarded by some, didn't end up in some dump area but were recycled into new walls and buildings and plantings on her property.
This is a book a cottage gardener, keeper of sheep. painters, stone masons and anyone who loves working with their hands will love. As well as sincere environmentalists and organic gardeners and farmers.
A DELIGHT FOR THOSE WHO LOVE BEATRIX POTTER'S BOOKS
2000-04-07
AT HOME WITH BEATRIX POTTER is a delight to the eye and the spirit for those who love this children's author and her "little books." It is written by Susan Denyer of Britain's National Trust. (Potter's property was left to the National Trust.) The focus of the book is Hilltop Farm, the first farm Beatrix Potter acquired. Although she lived across the road in Castle Cottage, Potter often used Hilltop for its library, guestroom, and workplaces. She also used it to display her "treasures." This book reveals her love of nature, the English Lake District, and of old things--carved dressers, chests, spinning wheels are a few of the "gems" portrayed. Two-page color spreads convey the beauty of the Lake Area, where Potter became a major landowner, sheepfarmer, and a happily married woman. It is wonderful to see the original places, buildings, and objects that she incorporated into her books (examples are shown side by side). The book's layout, photographs, and design are first-rate. Reading this book reminded me of THE PRIVATE WORLD OF TASHA TUDOR and its wonderful photographs by Richard Brown. Like Tudor, Potter drew what she knew and preferred country to city life. (Tudor also was a working farmer in New Hampshire.) Finally, this book presents information about Beatrix Potter and the things and people she loved in an informative and respectful way. This book is not a biography, and Denyer avoids the biographer's temptation to "sum up" or "explain" Beatrix Potter. Rather, we draw our own conclusions after being exposed to the things Potter loved. The select bibliography at the book's end provides a list of works on and by Potter (her journals and letters have been published) that is very helpful to those who want to know more about this author. This is a book to treasure.