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2008-09-29
2007-01-16
2004-05-05However, this book is littered with inaccuracies. The reference to Arturo Toscanini as an opera singer who refused to sing on record until 1936 is ludicrous - not only because Toscanini was a conductor and not a singer, but because he did in fact record with the La Scala Orchestra during the pre-1925 acoustic era.
The Russian State-owned record label is referrred to as "Melodisc" rather than its correct name, Melodiya.
The author claims that there was no U.S. issue of the Black Dyke Mills Band's Apple single "Thingumybob" (There was - Apple 1800 - I own it.)
And from page 98, this pearl of wisdom about tape speeds: "[Reel-to-Reel] Tapes were issued at two speeds: 7 1/2ips (inches per second) and the sonically superior 3 3/4 ips, the standard to which both the later 4-Track and 8-Track cartridges adhered.." Ask any audio engineer which speed is "sonically superior". I could make this review a mile long with such examples.
There are also plenty of misspelled names here too: Paul Gayton (Gayten), Hal Blain (Blaine), Deutsche Gramophone (Grammophon), and on and on, but you get the point. This book is an interesting read, but if you know the subject, these errors come frequently and get more irritating each time. Backbeat Books needs to hire a proofreader.
Which Arturo Toscanini are we talking about?
2004-01-31
In an excerpt from this book posted on amazon, the statement is made that one Arturo Toscanini set the record industry back, in the 1920s, by refusing to allow his voice to be recorded. The Arturo Toscanini that most music lovers remember was conducting La Scala and the New York Philharmonic around that time. We don't think he was singing. Can the author address this? Perhaps I read the excerpt wrong. In this case, we're not talking about an obscure historical figure.