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Rapidly evolving computer and communications technologies have achieved data transmission rates and data storage capacities high enough for digital video. But video involves much more than just pushing bits! Achieving the best possible image quality, accurate color, and smooth motion requires understanding many aspects of image acquisition, coding, processing, and display that are outside the usual realm of computer graphics. At the same time, video system designers are facing new demands to interface with film and computer system that require techniques outside conventional video engineering.
Charles Poynton's 1996 book A Technical Introduction to Digital Video became an industry favorite for its succinct, accurate, and accessible treatment of standard definition television (SDTV). In Digital Video and HDTV, Poynton augments that book with coverage of high definition television (HDTV) and compression systems.
For more information on HDTV Retail markets, go to: http://www.insightmedia.info/newsletters.php#hdtv
With the help of hundreds of high quality technical illustrations, this book presents the following topics:
* Basic concepts of digitization, sampling, quantization, gamma, and filtering
* Principles of color science as applied to image capture and display
* Scanning and coding of SDTV and HDTV
* Video color coding: luma, chroma (4:2:2 component video, 4fSC composite video)
* Analog NTSC and PAL
* Studio systems and interfaces
* Compression technology, including M-JPEG and MPEG-2
* Broadcast standards and consumer video equipment
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2007-12-22
2007-12-13
Rapidly evolving computer and communications technologies have achieved data transmission rates and data storage capacities high enough for digital video. But video involves much more than just pushing bits! Achieving the best possible image quality, accurate color, and smooth motion requires understanding many aspects of image acquisition, coding, processing, and display that are outside the usual realm of computer graphics. At the same time, video system designers are facing new demands to interface with film and computer system that require techniques outside conventional video engineering.
Charles Poynton's 1996 book A Technical Introduction to Digital Video became an industry favorite for its succinct, accurate, and accessible treatment of standard definition television (SDTV). In Digital Video and HDTV, Poynton augments that book with coverage of high definition television (HDTV) and compression systems.
For more information on HDTV Retail markets, go to: http://www.insightmedia.info/newsletters.php#hdtv
With the help of hundreds of high quality technical illustrations, this book presents the following topics:
* Basic concepts of digitization, sampling, quantization, gamma, and filtering
* Principles of color science as applied to image capture and display
* Scanning and coding of SDTV and HDTV
* Video color coding: luma, chroma (4:2:2 component video, 4fSC composite video)
* Analog NTSC and PAL
* Studio systems and interfaces
* Compression technology, including M-JPEG and MPEG-2
* Broadcast standards and consumer video equipment
First Rate Book on Digital Video
2007-09-22
My favorite book on video. It is the most thorough and careful development of digital video I have seen.
While you won't hear this often, it is a beautifully produced book. It contains very clear illustrations, its equations are clearly presented, and the text is nicely organized.
Quite A Fine Text
2007-06-15
If only more tech authors could write as clearly and with such consideration for the reader as does Mr. Poynton. The layout of the text and graphics is superb. The attention to content accuracy is highlighted by the many helpful, and sometimes amusing, notes in the margins.
Good Book
2007-02-16
I think this is a good book for begginers. It's very easy to understand and there not trouble read.
A great book for the algorithms and equations of digital video
2006-12-25
Poynton presents a comprehensive treatise on digital video and HDTV in 50 chapters and two appendices. Although this is a comprehensive work and some topics are presented in complete detail, other equally important topics are discussed in a few pages. The concepts of color, NTSC and PAL encoding, colorimetry, and other topics of image presentation are strongly emphasized. However, the topics of quantization, digital filtering, general signal processing, and methods of compression are treated more briefly. This is a very good resource for anyone interested in digital TV or the computer display of images. It is probably not a good choice for general engineering study by readers without a good background in digital signal processing. The differences between computer displays and commercial television displays are well presented, provided along with some history of both disciplines and how, with the decreasing restriction on bandwidth, these interests are merging.
Part one of the book stresses digital video basics. This is pretty similar to Poynton's previous book on digital video with the exception that he has added some introductory material on HDTV, but that chapter is only a few pages long.
Part two, "Principles", is a very nondescript title for this section. That is probably because it discusses such a large group of diverse topics as filtering, sampling, visual perception, color science for video, NTSC and PAL, videotape recording, 2-3 pulldown, and deinterlacing. This is the section that is the most mathematical, however, it is still not as complex as most signal processing books you'll encounter.
Part three, "Video Compression", consists of three very short chapters on JPEG, motion-JPEG, and MPEG-2. It's a good overview of the concepts, but don't expect to be able to build a codec based on the information in this section.
Part four, "Studio Standards", also has a very specific subject matter. The standards discussed are 480i, 576i, 1280x720 HDTV, and 1920x1080 HDTV. Scanning, timing, sync structure, and picture structures are discussed in each case.
Part five, the final section, discusses broadcast and studio standards. NTSC, PAL, and digital television broadcast standards are discussed.
If you are the type of person who is interested in the algorithms of digital video more than you are the hardware of digital video systems, you'll probably enjoy this book. The author makes frequent use of illustrations and block diagrams to illustrate what is being presented, and I have gotten a great deal of use from it over the years. If you are looking for a book on digital video systems hardware, might I recommend "Video Demystified" by Keith Jack.