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2000-04-12
2003-04-13
2002-09-08
2001-12-10
2001-09-17I briefly browsed through this thing in my local Waldenbooks, but I was blown away by the strangely realistic look of Venusaur and Blastoise [in mountain-form, nonetheless!]. Hell, I expected vulgar language and nudity on every other page, that's how Manga it looks!
Simply Incredible (The Stuff Dreams Are Made Of)
2001-05-01
There are two things I somewhat pride myself on not being: 1)The first is a Pokemon fan (Don't get me wrong, I love Nintendo, but I won't be sad when they finally stop producing Pokemon games) 2)The second is a comic book fan. I gave up comic books for many good reasons, the first of which is that I simply couldn't understand the piecemeal plots of the works. Look at it this way: Once a month, you either buy at a store or receive in the mail a small book of approximately 20 or 30 pages with decent art printed on lousy newsprint, it took you approximately 10 or so minutes to read, and then you had to wait a whole month to find out what happens next! That is why I turned to the trade paperback, and then ultimately turned to Manga. Not only did trade paperbacks keep my attention and immerse me in a fictional world for at least 10 minutes, but they usually contained whole stories. I came across Electric Pikachu Boogaloo in the book section of Target, I flipped through the pages and immediately fell in love with Toshihiro Ono's rather interesting take on the Pokemon Omniverse. What really grabbed my attention was the way in which the Pokemon were drawn; they were not quite the cute, cuddly cartoons of the orignal Nintendo games, but were something more: They looked like Animals! Real, living, breathing animals that could very well exist (cases-in-point: Meowth really looks like a cat and Gryados really looks like...well, a Gryados, but still the scariest looking Gryados I'd ever seen). What also made me fall in love with Electric Boogaloo was the story of the Clefairy's Off-world origins, and their effect on an adorable little girl and her pet Jigglypuff. The absolute best illustration in the story is presented to us when the little girl is awakened to the sounds of someone (or something) in the kitchen and creeps downstairs, heart racing. The next panel is possibly the most strangely eerie and yet amazingly alluring illustration I have ever seen: A seemingly innumerable amount of Clefairy all gathered around the refrigerator, foraging for whatever food they can find. I found myself staring at the panel for what seemed like hours as memories of times when comics were actually able to create moments of suspense and were able to pull the reader into a strangely foreign world with an all too haunting familiarity. I also found myself practically on the verge of tearing up during the little girl's monologue to the Clefairy about her long lost mother. And I couldn't help but smile when she first greeted her strange visitors ("Nice ta meetcha!"). Toshihiro Ono is an artistic genius, and of all the books in the series, this stands as the absolute best. Even if you're not a pokemon fan, and especially if you're not a comic book fan, you can find solace in the fact that this book embodies none of the things that make Pokemon or comic books so esoteric, alienating, and generally unenjoyable.