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Jamey Aebersold Volume 1 Jazz How To Play and Improvise Book & CD Standard

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Manufacturer: Jamey Aebersold
Model: Jamey Aebersold Jazz
Binding: Unknown Binding
Publisher: Jamey Aebersold
Label: Jamey Aebersold

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Editorial Review
MORE INFOThis volume has updated information presented in a new manner that is both easy to understand and inspiring for all musicians wishing to explore the secrets of jazz improvisation. Includes chapters on scales/chords, developing creativity, improv fundamentals, 12 Blues Scales, Bebop scales, pentatonic scales and usage, time and feeling, melodic development, II/V7s, related scales and modes, practical exercises/patterns and licks, Dominant 7th tree of scale choices, nomenclature, chromaticism, scale syllabus, and more! This complete improvisation set, along with Volume 24 "Major and Minor" can greatly open your ears and improve your playing.Now the Volume 1 CD is even BETTER! It now includes demonstration tracks of Jamey playing the exercises from the book. Hear the master clinician show you exactly how it is done! These new tracks make Volume 1 an even more important tool for the beginning jazz improvisor...
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Customer Reviews

*the* place to start for jazz improv

2008-02-13
I had read the previous version of this book over a decade ago, and this book is a huge step forward. If I had had this version back then, I probably would've been much better at jazz improv today. The only downside of this book is the information architecture (e.g. page layout); it's a bit arcane, but it's charming I guess, like that disorganized folder of important papers your music teacher might have given you when you were starting out. Content-wise, this book is filled with jazz improv gems. A must-have.

Jamey Aebersold (Vol. 1) Jazz: How To Play and Improvise

2007-12-23
One good improv book is worth years of learning and this is one. You dive into the new references required for jazz with a proper emphasis on playing as the result of understanding. "How to Play and Improvise" imparts that understanding concisely, without the excursions into side topics that detract from my other favorite jazz improv book. As I enter my third quarter of saxophone classes I expect that this book, which was recommended by my instructor, will take me from being a competent player to being a competent improvisor. Thank you Jamey!